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    22/11/2008 - Child and Observer

    If I needed any convincing that the 12 Archtetypes are everywhere interwoven into the fabric of our lives then I would have found it on 'Womens' Hour' on BBC Radio4 on Tuesday. Listen to Lewis Casson and Sybil Thorndike talking - here (1.408 KB)

     

    I noticed Sybil Thorndike's bpm on her famous 'Saint Joan' speech was a perfect 90 - so I purloined it for use here: - "Saint Joan" (3,879 KB)


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    23/10/2008 - Beat The Cat

    Here's the karaoke backing track for an as-yet-to-be-written song: beat-the-cat-roughmix.mp3


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    18/4/2008 - 7 up!

    The FraKctured Zone celebrated its 7th birthday yesterday!

     

    In 1982 I first heard Pablo Lubadika Porthos, a guitarist and band leader from Zaire, on the compilation album "Sound d'Afrique". Since that time I have collected and cherished every recording I could find - this music never fails to stir me...

     

    Ma Coco - 6,553KB mp3 file
    Mbongo Mokonzi - 5,691KB mp3 file
    Madelena - 8,086KB mp3 file
    Bo Mbanda - 7,007KB mp3 file

    ...talk about interlocking guitars - WOW!


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    17/3/2008 - Bloody carnage

    Today, absolutely the most horrific, ghastly, awful thing happened.

     

    I was driving to the local shops and had halted at a level crossing. Then someone stepped out in front of the train. Since the train was travelling at about 50mph the results were utterly catastrophic.

     

    I still can't believe it. I'm upset. Really, really deeply shocked by what I saw (I'm squeamish at the best of times) and I cannot get the sight of the aftermath out of my mind.

     

    Total, bloody carnage for yards and yards and yards.


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    28/2/2008 - "The Globe Thetare" and "Owzat"

    Finger puppet animation by Joanna Graham and Kirsty Judge who are We=Awesome Studios. Music by Richard Kilgour.

     

    "Owzat" by Aardman Animation. Backgrounds, image maps and textures painted by John Parsons using Spaceward Graphics' Satori FilmFX64 software. Pardon the ad...

     

     


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    12/2/2008 - "The Snake Throws Up"

    "The Snake Throws Up" by Joanna Graham & Kirsty Judge


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    7/2/2008 - La Catedral by Agustin Barrios Mangoré

    Here's a fantastic performance by Denis Azabagic of La Catedral by Agustin Barrios Mangoré


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    5/2/2008 - The Life That I Have

     

    The Life That I Have
     

      The life that I have
    Is all that I have
    And the life that I have
    Is yours

    The love that I have
    Of the life that I have
    Is yours and yours and yours.

    A sleep I shall have
    A rest I shall have
    Yet death will be but a pause
    For the peace of my years
    In the long green grass
    Will be yours and yours and yours.

    Leo Marks


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    1/2/2008 - MySpace

    "Sick As A Parrot", "Corners" and "Paracetamol" are all now uploaded to the Somewhere In The Foreign Office MySpace site.


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    26/8/2007 - New work in progress

    Here's a demo I've recently given to Ed for transmission into a song...

     

    Martinique.mp3 (4,220KB)


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    2/8/2007 - 50,000 up!!!

    I noticed today that we've now passed 50,000 hits here at the FZ :) In case anyone cares (and why should they?) here are the most recent queries via the Search tool....


                 -------------------

    Day    Time of Query         Query
    --- -------------------- ---------------
    Fri Jul 06 09:08:27 2007 elephant talk
    Wed Jun 20 07:55:04 2007 north star chords
    Wed Jun 20 07:54:43 2007 north star
    Sun Jun 17 02:22:03 2007 NST
    Fri Jun 08 04:07:08 2007 "string gauges"
    Tue May 22 13:09:08 2007 tabs
    Mon May 21 10:00:21 2007 king crimson
    Thu May 17 23:52:47 2007 light
    Wed May 16 08:36:48 2007 tab
    Tue May 15 12:59:21 2007 tone
    Sun May 13 16:04:21 2007 robert fripp
    Thu May 10 13:23:31 2007 Fractal Dimension
    Thu May 03 11:44:04 2007 New Standard Tuning
    Mon Apr 30 22:42:44 2007 lizard
    Mon Apr 30 03:24:11 2007 sheet music
    Sun Apr 29 20:37:00 2007 *.mus
    Thu Apr 26 05:13:25 2007 Jethro Tull
    Fri Apr 20 10:40:54 2007 easy money
    Fri Apr 20 10:34:51 2007 matte kudasai
    Fri Apr 20 10:30:14 2007 easy money
    Thu Apr 19 22:45:36 2007 for mobile
    Thu Apr 19 05:02:24 2007 i talk to the wind
    Tue Apr 10 17:47:41 2007 Fracture
    Thu Apr 05 12:51:34 2007 carver
    Thu Apr 05 12:51:18 2007 carvin
    Sun Apr 01 20:23:22 2007 nst
    Sun Mar 25 18:35:06 2007 mcdonald
    Sat Mar 17 09:28:51 2007 Zappa
    Sat Mar 17 09:28:28 2007 zeppelin
    Tue Mar 06 06:49:21 2007 Camel
    Tue Mar 06 06:16:12 2007 Yes
    Sun Mar 04 18:51:39 2007 NST
    Fri Mar 02 21:41:12 2007 scales
    Tue Feb 27 11:28:39 2007 suite no. 1
    Mon Feb 26 13:11:17 2007 fracture
    Mon Feb 26 12:40:08 2007 bartok
    Wed Feb 21 06:56:23 2007 crimson
    Sun Feb 04 12:08:55 2007 starless
    Tue Jan 23 07:12:09 2007 gauge
    Fri Jan 19 17:27:36 2007 i talk to the wind
    Mon Jan 15 18:36:31 2007 NST
    Wed Jan 10 17:38:49 2007 ringtones
    Thu Jan 04 19:02:19 2007 new standard
    Tue Jan 02 09:03:59 2007 north star
    Sat Dec 30 04:43:32 2006 Notes
    Sat Dec 30 04:43:17 2006 ACDC
    Fri Dec 29 14:23:28 2006 starless
    Thu Dec 21 08:58:59 2006 chord
    Mon Dec 11 06:10:58 2006 lute music
    Fri Dec 08 21:43:05 2006 covers cd
    Thu Dec 07 13:19:29 2006 fracture analisis
    Thu Dec 07 13:13:15 2006 fracture bass music notation
    Thu Dec 07 13:11:55 2006 (great deceiver) AND (great deceiver)
    Thu Dec 07 13:11:19 2006 great deceiver
    Thu Dec 07 12:48:36 2006 fracture bass music notation
    Wed Dec 06 12:35:13 2006 come as you are
    Sat Dec 02 03:40:08 2006 fripp
    Fri Dec 01 10:55:29 2006 epitaph
    Tue Nov 28 09:10:04 2006 chords
    Mon Nov 27 13:21:27 2006 tom
    Thu Nov 23 08:17:35 2006 fracture
    Sat Nov 11 07:45:47 2006 tuning
    Mon Nov 06 06:57:37 2006 craft guitar tuning
    Wed Nov 01 13:47:19 2006 matte kudesai
    Sun Oct 22 13:36:48 2006 David Sylvian/Robert Fripp
    Tue Oct 17 01:10:38 2006 devils triangle
    Sun Oct 15 21:57:35 2006 boz burrell
    Sun Oct 08 09:27:39 2006 north
    Sat Oct 07 22:29:49 2006 Nick Cave
    Sat Oct 07 22:29:19 2006 Mercy Seat
    Thu Oct 05 08:53:34 2006 bass transcriptions
    Wed Oct 04 04:07:00 2006 burrell
    Tue Oct 03 03:11:42 2006 burell
    Sat Sep 30 08:07:13 2006 court of the crimson king
    Fri Sep 29 09:29:03 2006 boz burrell
    Tue Sep 19 19:59:58 2006 ringtone
    Thu Sep 07 15:35:10 2006 trey gunn
    Mon Sep 04 02:10:44 2006 genesis
    Fri Aug 11 13:46:42 2006 New Standard Tuning
    Fri Aug 11 08:26:04 2006 north star
    Wed Aug 09 09:08:16 2006 north star
    Tue Aug 08 17:49:45 2006 north star
    Mon Aug 07 17:16:03 2006 north star

    Thu Jul 27 10:37:49 2006 beat
    Thu Jul 27 10:37:23 2006 beat.jpg
    Mon Jul 24 11:00:06 2006 king crimson
    Tue Jul 18 15:49:07 2006 ringtones
    Tue Jul 18 00:13:46 2006 tony levin transcriptions
    Fri Jul 14 02:41:54 2006 bass transcriptions
    Tue Jul 11 11:12:02 2006 prohject 6
    Fri Jul 07 11:08:31 2006 power tab
    Fri Jul 07 06:41:24 2006 nst string guages
    Mon Jun 19 16:09:38 2006 level 5
    Thu Jun 15 08:58:50 2006 king crimson bass transcriptions
    Wed Jun 14 03:52:05 2006 SINATRA
    Sat Jun 10 17:26:14 2006 fripp
    Fri Jun 09 04:19:19 2006 king crimson
    Mon Jun 05 13:45:29 2006 fractured
    Sat May 27 09:28:37 2006 rhumba
    Fri May 26 20:00:20 2006 standard tuning
    Wed May 24 00:57:52 2006 starless
    Sun May 14 23:16:20 2006 fayman
    Tue May 09 21:57:33 2006 warwick
    Thu May 04 09:59:19 2006 king crimson
    Sun Apr 30 13:00:21 2006 one time
    Sat Apr 29 07:36:12 2006 king crimson
    Thu Apr 27 00:52:38 2006 king crimson
    Sat Apr 22 18:01:47 2006 epitaph
    Thu Apr 20 09:46:41 2006 Book
    Fri Apr 14 15:48:35 2006 fractured
    Fri Apr 14 15:48:25 2006 frakctured
    Thu Apr 13 11:06:00 2006 ringtones
    Thu Apr 13 10:38:54 2006 ringtone
    Fri Mar 24 23:37:24 2006 dodoka
    Mon Mar 20 19:52:21 2006 red
    Mon Mar 20 12:58:26 2006 radiohead
    Sun Mar 05 08:29:50 2006 strings
    Wed Mar 01 05:05:41 2006 Fracture
    Mon Feb 27 19:40:30 2006 notation
    Mon Feb 27 19:40:06 2006 noteation
    Fri Feb 24 06:39:59 2006 PEACE
    Thu Feb 23 14:32:46 2006 elphant
    Tue Feb 21 15:56:45 2006 New Standard Tuning Chords
    Mon Feb 20 19:24:02 2006 i talk to the wind
    Wed Feb 15 09:09:25 2006 in the wake of poseidon
    Sat Feb 11 17:09:43 2006 beatles
    Sat Feb 11 17:09:28 2006 the beatles


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    10/7/2007 - Assisi - city of doves and silence

    Just returned from a blissful week in Assisi. Thanks to Radio Subasio, "Sognami" by Biagio Antonacci was 'the' song...

     

     

     

     

     

     


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    29/5/2007 - Dawn Call

    A phone call at 6-30am (!) from Brother Sebastien to suggest a meeting with him and Brother Hereward to discuss the future of natural pyschology and the 12 Archetypes.


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    24/5/2007 - "The Wheel of Life" by Richard Gardner

    Joy! Joy! Joy! Aquired today via Ebay: "The Wheel of Life, A Foundation Course For The Evolution Of Consciousness" compiled by Richard Gardner (with illustrations by Tammo de Jongh).

     


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    10/5/2007 - Homeopathy and the 12 Archetypes
    I reproduce below an article I found here...
    ...except that I have added images and hyperlinks :)
    THE HOMEOPATHY OF JOHN DA MONTE (1916-75)
    by Peter Morrell

     

    Pencil Sketch of a rusty old boiler at a disused green marble quarry on the southern tip of Iona in western Scotland, 1979
    Pencil Sketch of a rusty old boiler at a disused green marble quarry on the southern tip of Iona in western Scotland, 1979

     

    This is a profile of the second most important person in the post-war history and recent revival of homeopathy in Britain since 1978. It is written as a complement to my profile of the other important figure, Thomas Maughan. I feel that some small introduction is required to try and locate these two men in some kind of historical context.

    Thomas Maughan
    Thomas Maughan

    My research into the history of UK homeopathy, which began in 1988, has thrown up many interesting features. But one thing has been very obvious from the start: the revival and expansion of homeopathy since 1978 can be attributed directly and solely to the work of just two people: Thomas Maughan and John Da Monte. The reason for this is that between them they taught about 30 people the rudiments of homeopathy between 1965 and 1976 many of whom have become important teachers and all of whom together have spearheaded that revival. They taught them much more than just the rudiments of homeopathy, of course - they taught them enough to become competent practitioners in their own right.

    John Da Monte
    John Da Monte

    They also taught them a lot more besides homeopathy. To what extent that 'other stuff' is now relevant depends upon your point of view about life, medicine and homeopathy. Indeed, in Thomas and John's view it was viewed as relevant enough to pass on to all their students. Until homeopaths stop running away from and trying to hide the 'esoteric backdrop' to homeopathy, then maybe they will not confront its true future! John and Thomas were very fond of making aphoristic predictions like that and that one is offered in their spirit.

    It was the respect, admiration and love for these two men that caused their students in 1978, after they both had died, to create a Society, College and Register for lay homeopaths in Britain. All that has snowballed since to such an amazing degree. We now have 20+ colleges and degree status of courses. Who could have dreamt all that was possible back in the mid-70's? And it all stems from these two men. And it has coincided with a worldwide renaissance of interest in homeopathy, and especially throughout the English-speaking world of USA, Canada, Australia and New Zealand.

     

    John Da Monte & Thomas Maughan

    It was around the MID 1960'S that 2 very important figures emerged, who were to have a profound and lasting influence upon the future of lay homoeopathy in Britain. These were John Da Monte and Dr Thomas L. Maughan. Both were charismatic figures, in tune therefore with the mood of the times, enthusiastic and gifted teachers of homoeopathy as well as successful prescribers.

    Their importance derives from the fact that they both ran separate groups in London for students wishing to learn homoeopathy. Many of these students were patients or members of the Druid Order which between them they ran. The groups of ten or more members, met weekly in various houses in the London area. It was Maughan who had introduced homoeopathy to Da Monte during WW2 after which he came to England to study the subject (Danciger, 1990).

    At a meeting in Jan 1970 they formed the Society of Homoeopaths, electing Maughan as Chairman and Da Monte as Honorary Secretary. The Society of Homoeopaths was officially formed at a meeting on 10-1-1970 (Whitney, 1990, Wilcox, 1990). This was in fact the second teaching group that Da Monte had formed in England as he had previously trained mainly older students who were predominantly Healers. The meetings were primarily intended for practitioners and people who wished to gain a good working knowledge of homoeopathic materia medica and philosophy.

    Da Monte's meetings were informal discussions about homoeopathic philosophy and the drug pictures of remedies. They also involved deeper discussion of actual case histories in which Da Monte would give advice about the selection of a remedy, how to handle the progress of a case and the choice of potency. However, the teaching style of Maughan was much more formal (Danciger, 1990). However, the general subject matter covered was the same in both groups.

    According to Edith Eden, a Radionic practitioner, who met him several times and also knew Da Monte well, Maughan was "one the most self-opinionated and arrogant men I have ever met" (letter, aug 1990). A Meditation class, presumably along Druid lines, also run by Maughan on Saturday mornings, was attended by most of the same people (Roberts, Samuel, Withers, Whitney, 1990, 1994). Others found in him a fierce benevolence (Miles, Chappell, 1990). The influence on this group both of Druidism and the personality of Maughan were immense.

    Apart from the friendship between the two figures who led the groups, the study classes were entirely separate and unconnected. There was no social interaction between the 2 groups. They were entirely separate ventures running parallel in the same city but otherwise quite unconnected. The type of student attracted to and contented with the style of Thomas Maughan would probably not have enjoyed the style of John Da Monte. And vice versa. Because of the marked contrast in teaching style and therefore atmosphere of the two groups, there was no interchange of students between them, nor did the two teachers exchange lectures or notes. The only person to switch groups was Patrick Derham who joined Da Monte's study group after both had died. Da Monte did, however, occasionally fill-in for Maughan at his study group whenever Thomas could not be there (Whitney, 1990).

    John Da Monte (1916-75), N.London, articles in the Homoeopath, associated now with Thomas Maughan and his students, a Gibraltarian, Druid and prominent teacher of hom in UK, with interests in scientology, radionics, E. philosophy, Jungian analysis, etc

    mrae.gif (28612 octets)
    Malcolm Rae

      "John Damonte, who died in 1975, was a radionic practitioner, homoeopath and psychotherapist. A naturally gifted radiesthetist, he studied under the brothers Sevranx in Brussels and later with Malcolm Rae. A valued Member of the Radionic Association, he became a Fellow in 1970." (Rad Quarterly 34:3, June 1988)

      Some thought John Da Monte was either a Spanish Jew (Roberts, 1990) or "Dutch and brought up in Morocco" (Samuel, 1990). Wilcox always believed him to be French. (Wilcox, 1990)

      "This fitted the name, his slight accent and...that he was first and foremost a radiesthetist, the area in which France led the field." (Wilcox, 1990b)

    In fact he was a Gibraltarian of Spanish, Italian and Jewish descent (Danciger, 1990). His father was the Gibraltarian Ambassador to Morocco. John had started a medical degree at University of Montpellier in France in 1934 and failed to complete his internship as he was called up for the British Army. As a result he never completed his degree and worked throughout the war in British Intelligence, where he met and became friends with Thomas Maughan. After the war he came to Britain to study homoeopathy and Druidism with Maughan. His main teacher of homoeopathy apart from Maughan was Dr Donald Foubister (Danciger, 1990).

    He was involved with Radionics "for a year or two" (Samuel). According to Wilcox and Danciger, his involvement with Radionics was far more extensive and of much longer standing. Throughout the 1950-75 period, he was a very close friend of Hon Rosemary Russell, Lavender Dower, Malcolm Rae and David Tansley, all prominent members of the Radionic Association, and widely regarded as comprising the `inner sanctum' of that organisation. According to Danciger (1990) he had also taught homoeopathy to a class of healers, during the early 1960's. This group included the architect and astrologer Tad Mann, Bill Fletcher (a Wimbledon acupuncurist), and the late David Tansley, the prominent Radionic practitioner and Chiropractor (Danciger, 1990).

    John had also set up and taught study and research groups in Portugal and Zurich, presumably in the 50's and 60's. The Zurich group did important work collecting data on the side-effects of the BCG Tuberculosis vaccine, according to Danciger (1990). He also ran a Swiss group to help get people out of cults like scientology (Railton).

      "Da Monte said `homoeopathy is an art, not a science'...He taught homoeo pathy as an art. He gave us all the esoteric subjects he had come across. It was all in bits and it was up to us to put it together." (Samuel quoted in Sadler, 1989b, p44-5)

    According to all sources Da Monte was an extremely likeable and pleasant person, who worked and taught very much from intuition and by gaining immense rapport with his students. The "..loveable and mysterious John Da Monte" (Haggiag, letter, 1990) had a great warmth and friendliness of personality and a well-developed sense of humour. According to Danciger (1990), his lectures were interspersed with very amusing tales about real people who served as illustrations of homoeopathic remedies or of key points in homeopathic philosophy.

    Homoeopathic knowledge was imparted by Da Monte to his students at his weekly meetings over a 5 year period: 1970-75 (Samuel, 1990). He was also

      "very knowledgable about esoteric philosophy, ancient wisdom of the East, Theosophy and the Alchemists." (Samuel). He "certainly had many patients, both here, and in many parts of the world, Europe, USA and so on." (Samuel, 1990).

    He also achieved many "wonderful cures" (Samuel, 1990) and helped a great many people. He died on November 5th 1975 at the age of 61 from a massive heart attack. At that time he was "about 65 years old and Maughan 5-10 years older" (Wilcox, 1990). Like Maughan, he was virtually a chain-smoker (Danciger, 1990).

    He was greatly missed by the group, who carried on meeting and even took over some of his patients for a short while. Julian Carlyon joined Da Monte's study group in 1974. Like others in the group he was a relative newcomer and had received very little tuition. As a result, the longer-serving members decided to collate all the lecture notes and to continue teaching the later members of the group. This process lasted a further three years.

    John Da Monte & Thomas Maughan were both were rather colourful, charismatic figures, interested in oriental philosophy and New Age thought, in tune therefore with the mood of the times. Both were also enthusiastic and gifted teachers of homoeopathy as well as successful homoeopathic prescribers.

    They are described by those who knew them, with great affection, in glowing terms. Their importance derives from the fact that they both ran separate groups for interested students who wanted to learn homoeopathy. Many of these students were patients or ex-patients of Da Monte and Maughan, or members of the Druid order which between them they ran. The groups of twenty or so members, met weekly in various houses in the London area. Da Monte's group met on wednesday evenings in north London, while Maughan's met on friday evenings in south London. He lived in Dulwich. The two were great friends. It was Maughan who had introduced homoeopathy to Da Monte during the war and got him interested in coming to England to study the subject.

    At one meeting they formed the Society of Homoeopaths, electing Maughan as Chairman and Da Monte as Honorary Secretary. This was in 1970 according to Wilcox. It was in June 1972 that Kay Samuel started attending these meetings. The Society of Homoeopaths was officially formed at a meeting on 10-1-1970 (Whitney). Subscriptions were collected with a view to financing lectures, visits and occasional publications. No events were organised, however, and as a result the subs were returned, as requested by Wilcox. This was c.1973-4. The disappointment here was probably based upon a misapprehension of the main purpose of the Society formed at that time, which was largely educational in nature, rather than political. It was designed to produce homoeopaths not to campaign for more of it in the NHS.

    This was the second such group that Da Monte had formed in England and he had previously trained mainly older students who were predominantly Healers.

    The disappointment mentioned also reveals that there was probably a conflict of expectations between different individuals who attended these early meetings. As the meetings were primarily intended for budding practitioners or at the very least individuals who wished to gain a good working knowledge of homoeopathic materia medica and philosophy, it is not surprising that anyone attending them for any other purpose should find them disappointing.

    In the case of Da Monte's meetings, they took the form of informal discussions about homoeopathic philosophy and the drug pictures of remedies. They also involved deeper discussion of actual case histories in which Da Monte would give advice about the selection of a remedy, how to handle the progress of a case and the choice of potency. However, the teaching style of Maughan was quite different, he being a severe bearded Scot with strong views about who should be doing all the talking and who the writing (Danciger 1990). However, the general subject matter covered was the same in both groups.

    He had a colourful past, by all accounts, having lived and worked in Paris, North Africa and Barking and having been involved with Radionics "for a year or two" (Samuel). According to Wilcox and Danciger, his involvement with Radionics was far more extensive and of much longer standing. Throughout the 1950-75 period, he was a very close friend of Hon Rosemary Russell, Lavender Dower, Malcolm Rae and David Tansley, all prominent members of the Radionic Association, and widely regarded as comprising the `inner sanctum' of that organisation. According to Danciger he had also taught homoeopathy to another class, of healers, during the early 1960's.

    This group included the architect and astrologer Tad Mann, Bill Fletcher (a Wimbledon acupuncurist), and the late David Tansley, the prominent Radionic practitioner and Chiropractor (Danciger 1990). His main teacher was Dr Donald Foubister at the Faculty, and Thomas Maughan.

    Da Monte, being also a radionic practitioner was keenly interested in the use of geometrical patterns both to treat disease and to make remedies (Danciger, Eden). He may have been involved with Malcolm Rae in the invention of the Rae Potentiser, a device that can produce homoeopathic remedies from geometrical patterns on card and a bar magnet. This device was first produced in the early 1960's by Malcolm Rae, a noted radionic practitioner. Da Monte and Rae were such close friends that it is possible for Da Monte to have been involved in the design and its development (Danciger 1990), though he is not officially credited with this in the published works on the subject. It is possible as in many highly creative friendships, that the two dreamed up some of the devices from extensive discussions. A kind of creative rapport such as often develops between dynamic like-minded individuals. This second profile therefore gives you, hopefully, an understanding of why 'all roads lead back' to Maughan and Da Monte. And hopefully explains not only why but also how that is so much the case. In advance I would like to thank three people who have helped me enormously in compiling this profile. They are Ian Railton, Misha Norland and the late Liz Danciger, all of whom knew John very well indeed. Without their help this sketch would be much hazier and not very helpful.

    John Da Monte was born in July 1916, smack in the middle of the First War and portentously at the start of the bloodiest, wickedest and most futile battle of this century - the Somme. His father Nicolas was the Ambassador to Morocco and John studied medicine at the University of Montpellier in southern France. Of course, Montpellier boasted the finest medical school in the world, dominating medical thought, along with Padua, throughout the Middle Ages. Whether he qualified or not is in some doubt - Liz always maintained that he failed to complete his internship due to the War. Ian says John did qualify, but either way his medical qualification was not recognised in Britain. However, he thought and behaved entirely like a doctor. He had numerous close contacts within the medical fraternity and was both a frequent and a welcome visitor both to the Faculty of Homeopathy and to the upstairs private apartment above Nelson's in Duke Street. He was an intimate friend and colleague of Dr Foubister and of Dudley Everitt, head of Nelson's.

    It is thought that he met and became friends with Thomas Maughan during the Second War and that John then came to England both to study homeopathy in greater depth and to continue his friendship with Maughan. They shared so many interests. He also married an English girl (Phyllis) and had 4 children. He had an earlier marriage that was unhappy and bore no children. To what extent Maughan was the teacher of Da Monte, or the other way around is still not certain. My own hunch is that Da Monte, though younger, was the more 'spiritually advanced' and was probably more Maughan's teacher than the reverse.

    John was also the 'Scribe' or second in command of the Druid Order of which Thomas Maughan was Chief or Hierophant. Rumour has it that Thomas Maughan split the Druid Order because he took the Chief's post after being Scribe - a custom disallowed by centuries of convention. Rumour also has it that John was offered the Chief's position first, but turned it down to become Scribe under Thomas. It is a remarkable fact that many of the students of these two men had only scant knowledge of the Druid Order or of the involvement of them both in it.

    John was a naturally gifted radiesthetist. He could dowse hen's eggs as a boy and knew what the sex of the resultant chicken would be. However, it is not know with any certainty where he obtained his other skills. It is clear that he must have received extensive formal training in many things in order to have become so proficient. It may never be known where he got his vast therapeutic knowledge from.

    John emphasised a range of 8 or 9 different diagnostic and therapeutic tools, and of which he was an unquestioned master. These include, Jungian psychotherapy, astrology, Egyptian ideas, Kabbala and Tree of Life, radionics, face analysis based upon 12 archetypes, homeopathy, Theosophy and Druidism. But to just see these as tools and separate ideas or 'systems' which he dabbled in or used is to miss the man completely. He was a perfect master of them all. What this means is that he used them freely and interchangeably with any and every patient he saw. Now that is talent enough for one person, but he was gifted probably even more in yet another way.

    Like the best anthropologists, he had a certain human quality that enabled him to attune to the needs and problems of a person (to get inside their head) within minutes of meeting them. That was undoubtedly his greatest and most unusual gift. This gift has been variously referred to by those who knew him as 'intuitive', 'warm' and 'loveable'. He was certainly all three, but his gift was probably that of a born healer in the fullest sense, who could 'see' the suffering a person had and could address it directly.

    What it meant on the practical level was simply that he would meet a person and within only a very short space of time was absorbing intuitively an enormous amount about them, such that, as he felt his way along, a programme of ideas for their healing would be forming in his mind. This also meant that for any one person he would use a unique blend of the above tools. For some radionic treatment would be applicable, for others a homeopathic remedy. For others long therapy sessions would be applicable. For another the method was to train in esotericism or to study the face analysis sytem.

    Having said that, however, there are three or four which he relied upon most. These were homeopathy, radionics, psychotherapy, Theosophy and face analysis. He relied on these more than any of the others to assess a case and to give some therapeutic assistance to the patient. Again, we are out of the normally accepted boundaries of what we term 'therapy'. John saw all people as having problems of health or mind or being unhappy, unfulfilled or incomplete in some way and thus saw it as his job to tune in to that and to try and help them. It didn't matter who they were, whether they were down and outs, TV stars, drug addicts or minor royals. He tried to help them all.

    We need to expand on this theme slightly to really convey what is meant, as it is a very central aspect of the man himself. Indeed, he tried to help them 'become who and what they might be'. He was a great optimist, a great humanist and while he saw the faults in people, he also saw the good in them. He ignored the bad, refrained from judging, saw the wider picture and developed the good. Like an estate agent looking at a delapidated property, perhaps (?!), he saw all people as having 'great potential'. In this sense he did not differentiate very much between a druggie, a drop-out or a minor royal. Such was the wider sweep of his vision, compared to most of us.

    In order therefore to give a balanced view of the man and his work, we must try to gain at least a partial view of these systems and how he used them. It is no use just focussing on what he said or did about homeopathy and expecting to understand his work. One must view his 'all-round' approach to therapy if you are going to do it justice.

    I think for simplicity, to do this we can play down two of them - radionics and astrology, not because they played a minor role - they didn't - but because most people now have some idea of what they involve. Likewise we can downplay some of the theosophy, as it was partly covered in the article on Thomas Maughan and is also found in Martin Miles' book 'Homeopathy & Human Evolution'. Thus we can concentrate on his homeopathic work and his use of colour therapy, psychotherapy and face analysis. The latter especially is fascinating, most probably unheard of and strongly linked to theosophy, astrology and the esoteric traditions. It is also of interest that he was raised by Jesuits and knew the Bible intimately.

    So, what I intend to give you here is an outline account of his face analysis system and some of his ideas about homeopathy, radionics and psychotherapy.

     

    Homeopathic work

    It is difficult to pinpoint John's precise attitude towards homeopathy and whether in fact he saw it as a distinct or separarte discipline in its own right as we do today. He used it intuitively and rather traditionally. He did like Thomas use some combination remedies, but apart from that he was rather conservative in his use of remedies and potencies.

     

    Colour therapy

    John was very interested in colours and often gave people instructions and advice about how to change and integrate colours into their lives. This applied as much to their dress and garden as it did to their bedroom and study. He used colour as an archetype through which a person could be directed to bring about healing changes in their life. This meant increasing their under-use of one colour that was 'good for them' and decreasing their over-use of another colour that was 'harmful' to them. In this way, he could help subtly change a person's life for the better. This was often done through very jocular comments like 'You don't want to use so much yellow! Try wearing blues more. What colour is your bedroom? Try increasing the red in it and see if that makes you sleep and feel better.' Suggestions of this type were then reported on in later sessions and discussed in depth.

     

    Psychotherapy

    John was very interested in psychology in all its forms. He was interested in it as a tool for understanding people and the various problems they have. He was probably more of a Jungian than anything else. But he also incorporated into that basic Jungian position various other strands and threads from other traditions, such as Freud and humanistic psychology. He wanted people to tell him their problems in a free-flow method such as in psychoanalysis and he also followed a method like Maughan's, of allowing someone to psycho-dramatize their problems during therapy. This allowed him to point out to a person some possible interpretations of things people said to them or events in their life so as to allow a reintegration of past traumas.

    He used psychology both in a traditional sense and in its more esoteric form. What this meant is that he listened to people very compassionately and neutrally to just 'tell their story' - and recognised the immense therapeutic value of just doing that. But the esoteric aspect came in when he then initiated a narrative or commentary about what they had said and placed it all into a more longitudinal context. For example, he would discuss why they had said what they said, why they had become upset by a certain person, who that person was from their past, how different events and types of event repeat themsleves throughout one's life and the deeper spiritual significance of their life. He stressed repeatedly the power and opportunity of life and of the mind and attitude. He stressed that people can become free of the hurst and problems of their past and can attain greater peace, love and freedom as well as improved health.

     

    The twelve Archetypes

    The system of face analysis which John used was based upon the four elements of earth water fire and air, combined into couplets like earth-water, air-fire, etc. By deleting combinations of the same element (eg fire-fire, water-water), out of a possible maximum range of 16 (4 X 4), you get a range of 12. The colour pictures for these 12 'face archetypes' were painted by a London-based artist called Tammo in 1967. John commissioned from him the twelve archetypes and then had them photographed for use. I have a copy of these and will briefly describe them and how they were to be used therapeutically.

    The twelve faces are as follows:

    air-water - the picture shows an old philosopher, with a long face and long white hairand long white beard and moustache; white bushy eyebrows; all around are shapes like flowers or snowflakes; the brow is furrowed upwards from the nose in a fan-like fashion; dominant colours white and yellow

    air-fire - the picture shows a scientist or wizard type man with long face, dark hair and long dark beard; he appears to hold a long stick or wand with his right hand and his left is held aloft and surrounded by stars, which are also seen all around him and a large star can be seen at the end of the wand and also on the palm of his left hand, a cluster of stars twinkle and blaze about his left hand; he wears dark-rimmed spectacles and his large watery dark eyes look away to the left (his right) and not at the observer; his clothes appear in a triangular or harlequin design; his expression is blank with mouth slightly open

    air-earth - the picture shows a scientist type person with round spectacles pushed up above his brow reflecting light; a grey face, mostly bald head with white hair at the sides; his left hand is held up to his chin with thumb and fingers folded together; he looks kind and thoughtful, but absorbed in solving some mathematical or scientific problem; dominant colours white and grey

    water-fire - the picture shows an egyptian girl with long pearl earrings and many pearl necklaces around her neck; she is dark, Liz Taylor like with large eyes with dark make-up on the lashes and tear droplets flowing down her face; she has a half-moon facing upwards on her brow and long dark hair but with a fringe just above her eyebrows; she gazes intently with clear peaceful eyes

    water-earth - the picture shows a sad girl with watery eyes gazing at the observer; her long dark hair is blown sideways across her face and brow from right to left; her pale eyes are clear but sultry as if focussed on something faraway; her face is otherwise expressionless

    water-air - the picture shows a picture of innocence; a girl with delicate sweet smile and butterfly shaped bows at each side in her long golden hair; her eyes are large and watery and she has a delicate sweet smile on her mouth; she has a blowse neatly buttoned at the neck with a dark pullover; around her neck she wears a gold chain, on the end of which is a small golden key

    fire-air - the picture in bright reds and yellows is of a smiling twinkle-eyed 'court jester' with gold-stuccoed, triangular hat reminiscent of a matador; clothes have a harlequin mutlicoloured design; dominant colours red and gold

    fire-earth - the picture is of a dark and powerful warrior's face in blacks and reds. He wears a steel helmet and has dark deep-set eyes, broad square face, open mouth with square teeth and a full black beard; his aura is one of stern aggression and forcefulness.

    fire-water - the picture shows a close up of a laughing face in reds and yellows; it is fat and gnome-like with a wispy beard around the chin and a star on the end of the small nose; the eyes and mouth smile radiantly with great joy exuding from the face; they appear to be laughing in a very kind and affectionate way; the huge grin dominates the whole face.

    earth-air - the picture shows an old woman with much wrinkled face wrapped up against the cold, peasant-like with slit-like eyes and thin mean mouth; she is huddled and holds her clothing tight about her neck; she wears a head-scarf Russian-peasant style and seems absorbed in sad thoughts of the past; dominant colours grey and brown

    earth-fire - the picture shows in close-up a black African with large gold earrings and a ring through his/her nose; the lips are full and pink, the eyes half-closed, sultry and sensuous; the expression is warm and friendly

    earth-water - the picture shows a close-up of a dark and full-mouthed girl or boy lying asleep in the long grass of a meadow; their face in silhouette is viewed from the left side and all around are the beautiful flowers and butterflies of the meadow; above arch branches of a tree and a nice sky; there are snails and toadstools among the foreground of grasses and delicate flowers; dominant colour green.

    John used this system of face analysis in two main ways. First it could be used for general discussion about which of the faces are more or less attractive to an individual and thus revealing aspects of their underlying fears and aversions. This might be seen as a 'straight' use of them. Second he used them to illustrate what tensions and relationship upsets were going on in a patient's life. He would get the person to directly identify a troublesome person from their life in the terms of the archetypes, until such an individual was clearly identified. Then John would offer a detailed description of that person's motives and psychology as well as their likely comments and actions. He would reveal to the client a plan of action based upon the archetypes so as to enable them to deal with these people and so improve their life.

    Thus the archetypes offered in simplified form an access point into the complexity of relationship- based traumas within a patient's life. By laying bare their relationship problems in this way - through the system of face archetypes - John was then able to draw out from the patient immense detail of their relationship problems in real life. And, by juxtaposing the face archetypes and discussing them in great depth, he could help transfer problems and solutions from the realm of faces out into the person's real life. By so doing, he enabled the person to re-gain control of their damaged relationships and so begin to develop strategies to heal their lives in the wider sense.

     

    General remarks

    One of the many interesting things about John was that he used all these systems on the same client! So while they were having their radionic or homeopathic treatment, for example, they would also be having these long-winded discussions with him about their hurts and traumas and exploring through face analysis many aspects of their life of relationships. In this way he seemed to mount a sustained attack on the patient's problems, on many fronts - simultaneously. Or they would rotate through various techniques. But usually it meant at least two techniques being used in tandem. Rarely, if at all, did he use only homeopathy or only psychotherapy. He saw them as largely inseparable systems that would achieve maximum benefit from multiple and parallel use.

    This approach had the advantage that he could discuss for example, the psychological impact of a remedy they had taken or the beneficial effect of their last interview upon their emotions and relationships. He could at the same time discuss how the remedy affected their emotions and their relationships with certain key person's in the client's life. Or he could discuss any changes to the face pattern in that person's life and see if any further predictions could be made about the behaviour of certain key people. He could also explore possible likely remedies for those people who had been identified as causing problems for the client. In this way, John could 'mix and match' the various therapies he was using to a remarkable degree and all to the ultimate good of the client's life and happiness.

    Of course, this approach stands in very marked contrast to the situation today, in which all therapies have splintered into their own little factions and people rarely use more than one technique. Indeed, as in allopathy, most therapists today operate and are trained in only one therapy - they have become specialists. While it is true that some homeopaths do use a little psychotherapy, dowsing or manipulation, MOST do not. Same applies to other natural therapists. Being trained and licensed in only one technique, they tend to stick to that.

    In order to stress some aspects of John's approach I add the following useful quotes, which serve to emphasise -

    1. the central importance of the emotions in choosing the remedy;
    2. that homeopathy is very often deeply curative as a single medical option even into deeper layers of a person's life; and
    3. that homeopathy may not address all causes of disease within a person's life, and thus other techniques are often helpful.

      "The physician must penetrate into the Inner recesses of symptoms; the very life of the patient must be opened and laid bare, Learn the fears, instincts, desires and the aversions of the patient. The remedy often crops out through the affections." (J T Kent, Lesser Writings, 1900)

       

    Misha says that John was very intuitive in his whole approach not only to therapy or to people but to life in general. The two central themes in his life were radionics and homeopathy. His central gift was his dowsing faculty, but he never used it to find the remedy only to determine the best potency to use. He got this faculty as a child and developed it as he grew up. He was taken up by various local Shamanic healers in his native villages in Gibraltar and they taught him a lot. He went around with them as a sort of apprentice as a young child and picked up a lot from them. He also received a lot of teachings through 'learning osmotically' as he often termed it. He accentuated the intuition faculty above everything.

    He enjoyed a remarkable rapport with other people and could almost instantly attune to their mental wavelength. This is probably one reason why different people seem to say different things about him - they each had a view of him which was a reflection of their own somewhat unique interaction with him. As Ian says, John had the ability to tune into someone 'with the least mutual damage or disrespect'. This meant that he got a view of them and they got a view of him that maybe was not the same as what any other individual got from him. And he never attempted, aparently, to give a single broad-sweep definitive view of himself to anyone. Thus all we have now are fragments and snapshots - each a different facet of the man.

    I also suspect that he was Maughan's teacher and not the other way around as many have said. I don't think he was the 'lesser vehicle' of the two and nor do I believe that someone like Maughan could have been 'more spiritually advanced' than a man as sweet and compassionate as John Da Monte. They were offering their students wholly different role-models to emulate. I prefer to think that Da Monte was a kind person who it would be very hard to screw up on. That is not true of Maughan as many of his students have testified - he could be very difficult and hurtful, no matter how well-intentioned that might have been. On the other hand they were a pair, rather like Don Juan and Don Genaro in the Carlos Castaneda books - offering much the same insights and guidance but couched in wholly different forms - one sweet and kinldy, the other more stern and hostile.

    John was also heavily into Scientology for a time and on close terms with Ron Hubbard down in East Grinstead. But later he withdrew from all that, after seeing the darker side of it. 'Touching, going deep and then withdrawing' were things he often did and show how he came to know so much about so many different systems of ideas. He picked up a lot this way. Once out of scientology he helped many other people to get out and to get over the ordeal and to re-orientate themselves after getting out. He led just such a group in Zurich, for example, as Ian has stated.

     

    Homeopathy & the twelve Archetypes

    In a document written by John, obtained from Ian ('The Elements and Personalities - Archetypes', c1974) which purports to delineate John's views on potency, we can make several points. The document gives an outline of certain 'bridges' John had built between the 12 archetypes system and homeopathy. 'The best way to enter the case is through the essence of the person' (p3). This means the combination of the earth or intuitive faculty and the air or thinking faculty. These constitute the essence of a person (p1). Other points also need to be considered:

      'You would not give Phosphorus to a fire-water person because it is an earth-air remedy, and they couldn't use it easily. Phos acid would be alright... as it comes from a different vehicle.' (p4)

      'Air needs lower potencies - 6x, 200 but not 10M or CM, though occasionally 1M. Also low potencies for earth...' (p4) 'air - again a slow starter. High potencies 1M's work well, 200 is good; 10M in the polycrests is also good' (p5).

      'Water are slow starters, 30 potency is good, but takes time. 200 is also good, 10M is not so good. Give 30, followed three hours later with 200, which followed another 3 hrs later with 1M.' (p5).

      'Fire - low and high both work well - if low repeat often, as they burn it up quickly, 6 daily doses. There is a good response in chronic cases with high potencies.' (p5)

      'But don't use too much 200 potency in a fiery person - too much adrenaline and they can get trouble with the liver' (p4). 'Don't give sulphur 200 to a fiery person, either much lower or 10M' (p5)

    Towards the end he was doing a lot of groundbreaking new work on the elements and new remedies based upon the periodic table of elements and linking them into psychological types and organs and pathognomic links. These 'synthetic compounds' was a system he was still developing and was therefore 'work in progress' when he died. It is broadly similar to what Burnett did with Rademacher's and Paracelsus' teachings on signatures, organ remedies and drainage remedies, combined up with homeopathy and tissue salts. John made extensive use of the tissue salts and also linked that into his system of the 12 archetypes too.

    That 12-fold system was not exclusively developed by John. It had been worked on by several people, including Tammo, who wrote a book on it ("The Magic Circle Of The Soul - The Twelve Aspects Of The Mind"), as did someone else (Richard Gardner) who wrote a book called 'The Purpose of Love'.

    Misha also said that John was tremendously involved in radionics throughout his life and had articles published in Rad Quarterly. Especially one about the miasms.

    Ian says that towards the end of his life John began to give more detailed teachings upon Theosophy, which before that he had never mentioned. He also tended to just 'deliver lectures' upon these topics rather than give info in his own unique style of discussions and witty stories. Looking back Ian thinks that these were very largely 'received teachings' that John more or less passed on verbatim and undigested as it were. Normally you got commentary and detils of his own ideas mixed in with what he taught. They were lacking from these later teachings, as if, Ian says, he wanted to pass them on in a hurry, or as if they were an appendage to his other work, which he had forgotten to mention.

    According to Ian Railton, John's life took a major downward turn soon after some flash-floods in 1975 when his house in Hampstead became flooded; the water ran in the top of the split-level house and flowed right through and spilled out the other end into the garden. This event greatly upset and depressed John and he freely admitted that it had unsettled him and from which he never recovered. He died in the November from a heart attack.

     

    Sources:
    Chappell, Peter, 1980, The Society of Homoepaths Emerges, The Homeopath, 1:1, Summer 1980, pp2-3
    Chappell, Peter, 1989, Another Personal Viewpoint, The Homeopath 8:3, Spring '89, pp148- 153
    Chappell, Peter, 1990, The Thomas Maughan Group, Letter, June 1990
    Chappell, P, 1994, Letter, The Homeopath 52, pp180-81
    Eden, Enid, 1990, Letter to P Morrell re History of Homeopathy & Da Monte & Maughan, May 1990
    Da Monte, John, A Study of the Miasms for Radionics, Rad Quart 34:3, june 1988, pp16-23,
    Da Monte, John, Ignatia, The Homeopath, 1:2, 1980?,
    Da Monte, John, Pulsatilla, The Homeopath, 1:3, 1981?, our
    Da Monte, John, Fluorine Civilisation, The Homeopath, 1:4, 1981?,
    Da Monte, John, 1972-4, Recorded Telephone Conversations with Ian Railton.
    Da Monte, John, c1974, The Elements and Personalities - Archetypes, amended and edited by Ian Railton, Nov 1995
    Danciger, Liz, 1990, Recorded Interview with P Morrell, Islington, May 1990
    Maughan Jennifer (1992) Interview with Karen Ludwinski (transcript)
    Maughan, T.L (c1974) The Ancient Druid Order History & Organization, Lotus Press, Dulwich, London
    Maughan, Thomas (1973) Talking with Dr Laundy, tape
    Miles, Martin, 1992, Homeopathy and Human Evolution, Winter Press, London
    Miles, Martin, 1992, Interview with Karen Ludwinski (transcript)
    Miles, Martin, 1995, Proving of Stonehenge Sol, Prometheus Unbound 2:1, Autumn 1995, pp9-14
    Miles, Martin, 1995, Homeopathy In The 21st Century, Prometheus Unbound 2:1, Autumn 1995, pp35-37
    Miles, Martin, 1990, Letter to P Morrell
    Miles, Martin (1990) Letter to P Morrell
    Miles, Martin (1992) Interview with Karen Ludwinski (transcript)
    Morrell, Peter, Thomas Maughan, The Homeopath 60, Dec 1995
    Norland, Misha, 1990, Letters and Telephone Conversations, May-June 1990 & September 1996
    Phatak, S (1978) Materia Medica of Hom Medicines, Delhi
    Piggott, Stuart (1971) The Druids, Penguin
    Railton, Ian, 1996, Recorded Interviews with P Morrell, August 1996, Doncaster
    Roberts, Ernest, 1989b, History of Lay Homoeopathy, letter 8-5-89
    Roberts, Ernest, 1989a, Origins of the Society of Homoeopaths, conversation, April 1989
    Roberts, Ernest, 1989c, The North West College of Homoeopathy, letter 23-5-89
    Sadler, Penny, 1989a, Profile of Julian Carlyon, Newsletter 24, Sept 1989, pp 52-55
    Sadler, Penny, 1989b, Profile of Berenice Benjelloun, Newsletter 25, Dec 1989, pp44-47.
    Samuel, Kay, 1989, , Letter to P Morrell re John Da Monte's Homeopathy Group
    Samuel, Kay, 1989, Origins of the Society of Homoeopaths, letter, 12-6-89
    Samuel, Kay, 1996, Letters and Conversations, London
    Whitney, Jerome, 1990, Letters, Dulwich, May June 1990
    Whitney, Jerome, 1990b, Recorded Conversations, 18 June 1990, London
    Withers, Bob, 1991, Telephone conversations with P Morrell, August 1991
    Withers, Bob, 1992, Telephone conversation with P Morrell, august 1992
    Wilcox, John, 1990a, The History of Lay Homeopathy in Britain, letter 9-5-90
    Wilcox, John, 1990b, The History of Lay Homeopathy in Britain, letter 17-5-90
    Wilcox, John, 1990c, Letter, 7-6-90


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    4/5/2007 - "Money & Time" by The Great Divide

    This year my name will appear on two albums - twice as many as last year! The first is released on Monday and it's "Money & Time" by The Great Divide. This a 'best-of retrospective' of the Cambridge-based 80's group that comprised Boo Hewerdine, Steve Penn, Ed Harbud and Steve Bone. You can buy it direct from Gott Discs or listen to a sample here. I had the honour of creating the artwork - under Ed's direction and using/abusing his wonderful collection of photographs.

     

     

     

     

    And, way back when, it had also been my privelege to have made the tea during some of the recording sessions.

     


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    14/4/2007 - Evensong4


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    8/4/2007 - Tammo de Jongh

    I believe that the work of Tammo de Jongh deserves a retrospective exhibition. Anyone interested: inthewakeofposeidon@ukf.net


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    27/3/2007 - Evensong3


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    11/3/2007 - Waking the dead

    Sunday March 11, 2007
    Extract from The Observer

    Waking the dead

    by Ed Vulliamy

    Most people are coy about the intimacies and challenges of domestic tribulation, but not the survivors of brain injury, and especially not the formidable Sarah Tebboth, who has worked and cursed alongside her husband Stephen since his motorcycle crash. It is as a couple that they have prospered at Oliver Zangwill, 'after I'd been looked through like I didn't exist by a lot of doctors who simply can't grasp how the relatives come into it,' Sarah says.

    'We've been together for 30 years,' she adds, 'and though we'd had a happy relationship, we never realised how much we loved each other. It sounds a bit Pollyanna-ish, but there is an opportunity. You're not messing about any more because you pass through the shadow of the valley of death; you realise how short the time is, because he so nearly died. The fact that it is so fragile makes life more precious.'

    What Stephen, an engineer working with Cambridge University, decided was this: 'Recovery begins with the realisation that you cannot get back to being the person you were. It is when you say to yourself: "I'm a different person now and let's see how it works" that things start to happen.' The realisation that he had changed beyond a point of no return was his own, but 'quickly became part of my work here [at the Zangwill Centre]. I remember an assessment, when Andrew Bateman, the clinical manager, said to me: "Get real. You are not going back to work in a couple of days." That advice grew into an acceptance of what had happened to me. It ended the denial phase, and I realised I could start to heal.'

    Sarah proceeds to be almost as merciless as she is loyal in recollections of her own ordeal, alongside that of her husband. She talks about how 'I was insane for the first weeks - completely mad, you lose a layer of skin, just pleading: "Please don't die, just please don't die."' She recalls the intensity of the intensive care relatives' room at Addenbrooke's Hospital in Cambridge, 'friendships with people you never see again', and how 'I used to talk to him for hours and hours even though he was unconscious, and tell him jokes'. She also remembers 'the first time we laughed together again - in an intensive care ward - at some doctor, I think'.

    Sarah talks about how the sexual disinhibition common among coma survivors 'started to show itself even on the rehab ward, and is very difficult for wives to handle ... But in fact,' she says, 'Steve has not been sexually functional since his accident. Not good - Pollyanna your way out of that one! It's a problem and may remain a problem, but we're working on it.'

    The conversation becomes more and more uninhibited: 'I mean, you are more rigid now, darling,' she tells her husband, 'though being an engineer you were always borderline.' 'I suppose so,' agrees Stephen. 'I've certainly lost all sense of social nuance.' 'He's far more dependent than I or he would want,' she continues. 'It seems a little tough, but it was important to him and to me that he was an independent, active individual, not an appendage. It's exhausting always being the advocate, and there's the whole, "Does he take sugar?" factor, people putting on that soppy voice because of his physical disability, which at least is a badge of some kind, and that sympathetic face, without seeing the real damage.' To which she adds: 'We try to deal with that by not giving a fuck what people think.'

    'But at the root of it all has been that first, basic question,' says Sarah. 'What have I got? Who is my husband? Can I live with this? And the answer in my case - though by no means all - was yes. It's not really because I love him, it's more because I like him, we can still make each other laugh, and I like living with him. And I'm extremely proud of his toughness.' 'Yes, I always tended slightly towards the wimp before,' offers Stephen. 'Well, that's rubbish, actually,' scolds his wife. 'But it's true that now you've been tested.'


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    9/2/2007 - Snow and Bond

     

    For some time Ed and I have joked that we would one day write a song in the style of a James Bond theme. The other evening, while investigating my new Roland guitar synth, I stumbled across an excellent sax sound with a wonderful, breathy vibrato. So here's the first demo (verse rhythm tracks only) of "Kiss Me, Kill Me" - 1.822KB MP3 file.

     

     


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    2/2/2007 - Postcard From Hawaii

    A new song has arrived. My demo is here: "Postcard From Hawaii" (3,455KB MP3 file). This is backing tracks only - hopefully Ed will add words and a tune.

     

    Where does this stuff come from?


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    20/1/2007 - Mambo

    I have written and demoed a Mambo. Ed's children like it - praise indeed! 3,360KB MP3 audio file here. I used the Godin to sprinkle bells/whistles and to drizzle strings.


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    8/1/2007 - Morning Light


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    6/1/2007 - New guitar

    A huge indulgence in the January sales (guilt factor mitigated by the 40% discount obtained) sees me as the proud new owner of a Godin Multiac Grand Concert SA guitar and Roland GR-20 guitar synth.

     

     

    My practice has now recommenced in earnest and I have sore fingers. This instrument inspires and delights me. My immediate target is the aquistion of a small repertoire for informal performance.


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    18/12/2006 - Matins


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    16/12/2006 - Evensong2

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    14/12/2006 - Evensong


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    19/11/2006 - Shooting Star - Crescent Moon
    The last day in Church Street, Thriplow.
     
    The pen-ultimate day began with a shooting star and a wieird crescent moon glimpsed in the early dawn as I crossed from the back door to the garage carrying a box.
     
    So, farewell then St George's, Thriplow...
     

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    15/11/2006 - Dover soul

    A Dover sole (found at the bottom of my freezer) and a bottle of Paulliac (lurking under the stairs) formed a treat for this stressed diarist tonight.


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    30/10/2006 - Countdown to a new life

    I find it difficult to write during 'interesting' times. Everything is beginning to focus on the upcoming move. Somewhere a countdown clock has begun ticking away the seconds to Completion. A new life for me, but not one I ever sought.

     

    New pal Nola is proving to be a pal indeed.

     

    Ed came and worked on the Europop song - it's shaping up nicely.


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    18/10/2006 - Xchange2

    We've finally exchanged contracts on our house purchases - yippee!!! Completion date is set for 20th November.

    There's many a slip twixt cup and lip but... .great joy abounding!


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    13/10/2006 - FZ on Wikipedia

    I'm absolutely thrilled to discover that the FraKctured Zone is listed as an external link on Wikipedia's New Standard Tuning entry: http://en.wikipedia.org/wiki/New_Standard_Tuning

     

    Also v proud that some Satori users have kindly contributed a Satori Paint entry: http://en.wikipedia.org/wiki/Satori_Paint

     

    Still no exchange on the house purchases :(


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    11/10/2006 - new pal new song

    Newest pal Nola is being a real pal even long-distance on holiday in Holland.

     

    Newest song is sort-of Fleetwood Mac inspired. As usual at first I got the verse (minor key) and the chorus (major key) muddled up and the wrong way round. EuroPop beat at 87 bpm. I'm thrilled and delighted that I managed to use the casio DG-20 digital guitar to record the midi parts (ocarina on "Starless" setting!).  This one has a very slinky sexy groove. My first, very rough, demo of the verse and chorus backing tracks only is here as an mp3 file 4,652KB. It'll be interesting to see what Ed makes of it and maybe does with it.


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    2/10/2006 - Where would we be without friends?

    A good friend has revealed himself to be exactly that. As a result I have a possible new prospect that requires careful consideration.

     

    I am still very sore and angry but recently I have been looking both forward and outward. Tomorrow I have a financial settlement to finesse with T. J will sit between with spreadsheet and mediate.

     

    No exchange on our purchases yet.

     


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    27/9/2006 - Xchange1

    I exchanged contracts on my house sale yesterday. I hope to exchange on my purchase within 7 days. So that's two sets of solicitors dealt with and two more to go.

     

    My blood test for Lyme Disease has proved negative. Thank God.


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    23/9/2006 - Welcome Wiccan

    I welcome new diarist Wiccan. Wiccan has come to us via the Oblique Strategies page 

     

    I am under a huge amount of pressure from multiple estate agents and solicitors all pressing for exchange of contracts on a chain of four houses. We were supposed to exchange contracts on our sale on Friday but didn't. We may exchange on Monday. But then again, who knows? Each house has been delayed by lack of Buildings Regulations Completion Certificates being attached to the deeds. It seems the practice in this regard has changed due to the outcome of a recent court case.

     

    Looking forward to going out to lunch today with Stephen and Sarah.

     

    And to musicking tonight with Ed.


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    21/9/2006 - sinful thought

    It's better to confess a sinful thought than act upon it.


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    15/9/2006 - First Lame Bunny

    A copy of The First Lame Bunny Album is for sale on Ebay.

     

    I've had a look on GoogleMaps and discovered that what I saw from the dormer window yesterday is the River Cam (toward upper left).


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    14/9/2006 - north star west facing blood test

    The North Star page has been viewed 10 times.

     

    This morning I went to the cottage in Litlington that I hope to buy to meet with a roofer. I felt so at home. As I stood in the bedroom and looked out through the dormer window (that gives onto the flat roof of the projecting rear extension), I realised that it afforded an unobstructed 180% view over the neighbour's rooftop, across mature gardens with fields and farmland beyond - as far as the eye can see. I have learned that in 1994 a planning application for a roof garden was rejected - shame.

     

    Today I went for a blood test re the Lyme Disease. The phlebotomist had no idea which type of specemin bottle to use - LD being a rarity in S. Cambs. A week at least to wait for the results.

     

    Here's the Casio demo for the new soul ballad: Roughmix1.mp3


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    13/9/2006 - 3 new songs

    3 new songs sketched and demoed. All quite slow. A 90's popsong at 82 bpm with punchy brass, a 16 beat blues/soul ballad at 41 bpm and a slow WorldPop rhythm. S'funny how (like buses) you wait for ages for a song to come along and then, for no apparent reason, three arrive together. These all followed the traditional MO - I selected the tempo and key and then sketcked the song using my Casio keyboard. I then give Ed a rough mix so he can find a tune and write a lyric. Usually he'll hack my song to pieces and replace the original Casio parts completely - but just occasionally a smidgen remain. None of the new songs is particularly sad or depressing which, given my personal circumstances, is rather suprising because on the great curve that is my personal trajectory to forgiveness, I have moved on. I was angry, now I am bitter. So why can't I write a bitter song?


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    7/9/2006 - Clunch and the healing power of Churchscapes

    Finally, out of the blue, 15th September has been proposed for exchange of contracts. There are issues arising re my house purchase: damp, beetle infestation and possible roof repairs. I'm busy getting reports and quotes for treatments. My surveyor hazards a construction date of c1850 and has indicated 'clunch' walls.

     

    I spotted this on the DGMLive forum...  "What I’ve never mentioned is that the 2 Churchscapes I attended  seems to have  caused a physical healing in a long standing health matter, it’s such a miraculous change in my blood that I have hardly dared to mention it out loud....... I  know  that this sacred music is a balm of healing to my spirit but now my body has equally responded."


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    30/8/2006 - RIP Pip

    I've worked hard this week on several projects. I have mostly used: Flash, DreamWeaver, Satori, Quark, Illustrator and... even Photoshop!

     

    One project required taking over another designer's work and altering it. Since this was (for me) a very advanced Flas